Too Many Books In The Kitchen

I'm Michael Hingston, books columnist for the Edmonton Journal (new columns appear every Friday). See below for other stuff I've written.

My first novel, The Dilettantes, will be released in fall 2013 from Freehand Books. Here's everything you might want to know about it.

Other topics under discussion: podcasts, strange sodas, the Wu-Tang Clan, and Moby-Dick.

Email me, if you like, at hingston [at] gmail [dot] com. I'm available for hire and I like free books.

WRITING

Favourites: 2009 / 2010 / 2011 / 2012
What I Read: 2009 / 2010 / 2011 / 2012

All Reviews /
All Interviews /
All Columns

Mark Abley (1)
Henry Adams (1)
Chris Adrian (1)
Charlie Ahearn (1)
César Aira (1) (2) (3)
Jonathan Ames (1)
Kingsley Amis (1)
Martin Amis (1) (2) (3)
Karen Armstrong (1)
Margaret Atwood (1)
Jane Austen (1)
Paul Auster (1)
Todd Babiak (1)
Chris Bachelder (1; Q&A)
Nicholson Baker (1) (2) (3) (4) (5)
Rosecrans Baldwin (1)
Jesse Ball (1)
J.G. Ballard (1)
Julian Barnes (1)
Kevin Barry (1)
John Barth (1)
Elif Batuman (1)
Samuel Beckett (1)
Robert E. Belknap (1)
Katrina Best (1)
Otto Binder (1)
Laurent Binet (1)
Mike Birbiglia (1)
Heather Birrell (1)
Caroline Blackwood (1)
Andrej Blatnik (1)
Roy Blount Jr. (1)
Boethius (1)
Roberto Bolaño (1) (2)
Jacques Bonnet (1)
Jorge Luis Borges (1) (2) (3) (4) (5)
Grégoire Bouillier (1)
Tim Bowling (1)
Stephen R. Bown (1; interview)
C.P. Boyko (1; interview)
Bertram Brooker (1)
Grant Buday (1)
Nellie Carlson (1)
Raymond Carver (1)
Adolfo Bioy Casares (1)
Michael Chabon (1)
Dan Charnas (1; interview) (2)
Corinna Chong (1)
Chris Cleave (1)
Lynn Coady (1; interview) (2)
Douglas Coupland (1; interview)
Buffy Cram (1)
Lynn Crosbie (1)
Amanda Cross (1)
John D'Agata (1)
Mark Z. Danielewski (1)
Don DeLillo (1) (2)
Charles Demers (1; interview)
Kristen den Hartog (1)
David Denby (1)
Helen DeWitt (1) (2)
Patrick deWitt (1; Q&A) (2; Q&A)
Marcello Di Cintio (1; interview)
Nicolas Dickner (1) (2)
Dave Eggers (1)
Alison Espach (1) (2; Q&A)
Percival Everett (1) (2)
Jim Fingal (1)
Anne Finger (1)
Jonathan Safran Foer (1; interview)
Kaitlin Fontana (1; Q&A)
Cheryl Foggo (1)
Jim Fricke (1)
Marie-Louise Gay (1)
David Gilmour (1)
Malcolm Gladwell (1)
Misha Glouberman (1)
Adam Leith Gollner (1)
Manuel Gonzales (1)
Adam Gopnik (1)
Emily Gould (1)
John Gould (1)
Lee Gowan (1)
Linda Goyette (1)
Gwethalyn Graham (1)
Amelia Gray (1)
Adam Haslett (1)
David Hayward (1)
Alan Heathcock (1)
Steve Hely (1)
Aleksandar Hemon (1)
Lee Henderson (1; interview)
Kira Henehan (1)
Sheila Heti (1) (2; Q&A) (3) (4)
Miranda Hill (1)
Nick Hornby (1)
Robert Hough (1)
Sean Howe (1)
Mary-Beth Hughes (1)
Maude Hutchins (1)
Isol (1)
Harry Karlinsky (1)
Esmé Claire Keith (1)
A.L. Kennedy (1)
Etgar Keret (1)
Chuck Klosterman (1) (2; interview)
Ryan Knighton (1)
Jane F. Kotapish (1)
Louise Ladouceur (1; interview)
Annette Lapointe (1)
Nam Le (1)
Fran Lebowitz (1; interview)
Shelley A. Leedahl (1)
Alex Leslie (1)
Lawrence Lessig (1)
Jonathan Lethem (1) (2) (3) (4)
Adam Levin (1)
Michael Lewis (1) (2)
Naomi K. Lewis (1; interview)
Tao Lin (1) (2; Q&A) (3)
Ewa Lipska (1)
David Lipsky (1) (2)
Sam Lipsyte (1)
Lisa Lutz (1)
Pasha Malla (1; interview)
Ben Marcus (1)
Clancy Martin (1)
Zachary Mason (1; Q&A) (2)
Colin McAdam (1; interview)
Tom McCarthy (1)
Herman Melville (1)
David Mitchell (1)
Lorrie Moore (1) (2) (3) (4)
Horacio Castellanos Moya (1)
Haruki Murakami (1) (2) (3) (4)
Michael Murphy (1)
Billeh Nickerson (1; interview)
Jason Lee Norman (1; interview) (2; interview)
Benjamin Nugent (1)
Andrew O'Hagan (1)
Michael Ondaatje (1; interview)
Daniel Orozco (1)
John Ortved (1)
Patton Oswalt (1)
Boris Pahor (1)
Chuck Palahniuk (1; interview)
Orhan Pamuk (1)
DC Pierson (1) (2; Q&A)
Hannah Pittard (1)
Padgett Powell (1)
Thomas Pynchon (1)
François Rabelais (1)
Nathan Rabin (1)
Ross Raisin (1) (2)
Simon Rich (1; interview) (2) (3)
Edward Riche (1)
Santiago Roncagliolo (1)
Adam Ross (1)
Nicholas Ruddock (1)
Salman Rushdie (1)
Karen Russell (1)
Richard Russo (1)
Mike Sacks (1; interview)
Daniel Sada (1)
Laura Salverson (1)
José Saramago (1) (2) (3) (4) (5) (6)
George Saunders (1)
Elissa Schappell (1)
Anakana Schofield (1)
Salvatore Scibona (1)
Will Self (1; interview)
Carol Shaben (1)
Leanne Shapton (1)
Mikhail Shishkin (1)
Gary Shteyngart (1; interview)
Katherine Silver (1; Q&A) (2; interview)
Zadie Smith (1) (2)
Carrie Snyder (1)
Muriel Spark (1)
Dana Spiotta (1)
Kathleen Steinhauer (1)
Cassie Stocks (1; interview)
Cordelia Strube (1)
J. Courtney Sullivan (1) (2)
John Jeremiah Sullivan (1)
Miguel Syjuco (1)
Justin Taylor (1) (2; Q&A) (3)
Rob Taylor (1; Q&A)
Lysley Tenorio (1)
Lynne Tillman (1)
Miriam Toews (1; interview)
Wells Tower (1)
Matthew J. Trafford (1)
Neil Turok (1)
Ellen Ullman (1)
Deb Olin Unferth (1)
Jean-Christophe Valtat (1)
Richard Van Camp (1)
Jorge Volpi (1)
Sarah Vowell (1)
David Foster Wallace (1) (2) (3) (4) (5) (6)
Russell Wangersky (1)
Mélanie Watt (1)
Teddy Wayne (1; interview)
Colson Whitehead (1)
David Whitton (1)
Ian Williams (1)
John Williams (1)
D.W. Wilson (1; interview)
Kevin Wilson (1)
James Wood (1)
Molly Young (1) (2; Q&A)
Vlado Žabot (1)

OTHER PIECES

"Comic Sans" (The Incongruous Quarterly)
"'No Fear' T-Shirts Based on Board Games" (McSweeney's)

"The Men in the Mirror"
"Moby-Dick; or, My Favourite Book"
"The Pop-Culture Annotated 'Lord's Prayer'"
"Tumblr Recommends"

The Best Shelf Defense Is a Good Shelf Offense: Pride and Prejudice

To cap off finishing the first letter of Shelf Defense, I bought one extra, essential book that I otherwise wouldn’t have gotten around to anytime soon. This was done totally 100% as part of a well thought-out plan, and not in any way because I’m still impulsively buying way more books than I should. Just so we’re clear. I’ll try and keep to this pattern as we go, time permitting (dear lord, time permitting…).

* * * * *

JANE AUSTEN, PRIDE AND PREJUDICE (1813)

THOUGHTS: What follows is strictly a practical, what-can-this-book-do-for-me-now kind of reaction. Obviously the book has historical merit. That’s why I sought it out, and that’s why I’m glad to have read it, no matter what. However: I could not figure this thing out. And it’s not that I’m a boy, and therefore unable to read at length about icky feelings (in fact I think Austen is uncommonly good at writing about them). It’s just that I can’t work up the energy to get invested in a world where the stakes are so obviously piddling and outdated—several variations on “But what will the neighbours think?!” I was glad to see Elizabeth call out Lady Catherine as an over-perfumed gasbag, and the father is fun, but mostly you feel suffocated by those starchy collars by proxy. And let’s not forget about Mister Darcy: Convincing Young Women To Pursue Emotional Bear Traps For 199 Years And Counting.

More interesting to me is Austen’s narration, whose free indirect style hops from one character to the next like static cling. That habit she has of suddenly paraphrasing extremely important dialogue (eg. Darcy’s response to Elizabeth at the book’s climax) is strange, too. Was this a common practice back then? I don’t recall coming across it before.

Posting Austen quotes last week won me a bunch of new followers; this will probably send them right back out the door. Don’t worry: I didn’t like Jane Eyre, or Mad Men, or Stoner, either. Chafing against obviously unjust social decorum is always going to be unbelievably boring to me. At this point it’s basically heroism- and romance-by-numbers. Far more interesting would be the person who happily goes along with said social decorum, and rationalizes it, and knows how to get the most out of it. So forget Cinderella; I’ll take Drizella’s story any day of the week.

KEEP OR SELL: Sell.

Feb 21, 2012
Comments
blog comments powered by Disqus