Too Many Books In The Kitchen

I'm Michael Hingston, books columnist for the Edmonton Journal (new columns appear every Friday). See below for other stuff I've written.

My first novel, The Dilettantes, will be released in fall 2013 from Freehand Books. Here's everything you might want to know about it.

Other topics under discussion: podcasts, strange sodas, the Wu-Tang Clan, and Moby-Dick.

Email me, if you like, at hingston [at] gmail [dot] com. I'm available for hire and I like free books.

WRITING

Favourites: 2009 / 2010 / 2011 / 2012
What I Read: 2009 / 2010 / 2011 / 2012

All Reviews /
All Interviews /
All Columns

Mark Abley (1)
Henry Adams (1)
Chris Adrian (1)
Charlie Ahearn (1)
César Aira (1) (2) (3)
Jonathan Ames (1)
Kingsley Amis (1)
Martin Amis (1) (2) (3)
Karen Armstrong (1)
Margaret Atwood (1)
Jane Austen (1)
Paul Auster (1)
Todd Babiak (1)
Chris Bachelder (1; Q&A)
Nicholson Baker (1) (2) (3) (4) (5)
Rosecrans Baldwin (1)
Jesse Ball (1)
J.G. Ballard (1)
Julian Barnes (1)
Kevin Barry (1)
John Barth (1)
Elif Batuman (1)
Samuel Beckett (1)
Robert E. Belknap (1)
Katrina Best (1)
Otto Binder (1)
Laurent Binet (1)
Mike Birbiglia (1)
Heather Birrell (1)
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Andrej Blatnik (1)
Roy Blount Jr. (1)
Boethius (1)
Roberto Bolaño (1) (2)
Jacques Bonnet (1)
Jorge Luis Borges (1) (2) (3) (4) (5)
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Tim Bowling (1)
Stephen R. Bown (1; interview)
C.P. Boyko (1; interview)
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Grant Buday (1)
Nellie Carlson (1)
Raymond Carver (1)
Adolfo Bioy Casares (1)
Michael Chabon (1)
Dan Charnas (1; interview) (2)
Corinna Chong (1)
Chris Cleave (1)
Lynn Coady (1; interview) (2)
Douglas Coupland (1; interview)
Buffy Cram (1)
Lynn Crosbie (1)
Amanda Cross (1)
John D'Agata (1)
Mark Z. Danielewski (1)
Don DeLillo (1) (2)
Charles Demers (1; interview)
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Helen DeWitt (1) (2)
Patrick deWitt (1; Q&A) (2; Q&A)
Marcello Di Cintio (1; interview)
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Manuel Gonzales (1)
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Emily Gould (1)
John Gould (1)
Lee Gowan (1)
Linda Goyette (1)
Gwethalyn Graham (1)
Amelia Gray (1)
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Lee Henderson (1; interview)
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Sheila Heti (1) (2; Q&A) (3) (4)
Miranda Hill (1)
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Robert Hough (1)
Sean Howe (1)
Mary-Beth Hughes (1)
Maude Hutchins (1)
Isol (1)
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Esmé Claire Keith (1)
A.L. Kennedy (1)
Etgar Keret (1)
Chuck Klosterman (1) (2; interview)
Ryan Knighton (1)
Jane F. Kotapish (1)
Louise Ladouceur (1; interview)
Annette Lapointe (1)
Nam Le (1)
Fran Lebowitz (1; interview)
Shelley A. Leedahl (1)
Alex Leslie (1)
Lawrence Lessig (1)
Jonathan Lethem (1) (2) (3) (4)
Adam Levin (1)
Michael Lewis (1) (2)
Naomi K. Lewis (1; interview)
Tao Lin (1) (2; Q&A) (3)
Ewa Lipska (1)
David Lipsky (1) (2)
Sam Lipsyte (1)
Lisa Lutz (1)
Pasha Malla (1; interview)
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Zachary Mason (1; Q&A) (2)
Colin McAdam (1; interview)
Tom McCarthy (1)
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Lorrie Moore (1) (2) (3) (4)
Horacio Castellanos Moya (1)
Haruki Murakami (1) (2) (3) (4)
Michael Murphy (1)
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Jason Lee Norman (1; interview) (2; interview)
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DC Pierson (1) (2; Q&A)
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Simon Rich (1; interview) (2) (3)
Edward Riche (1)
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Will Self (1; interview)
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Katherine Silver (1; Q&A) (2; interview)
Zadie Smith (1) (2)
Carrie Snyder (1)
Muriel Spark (1)
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Wells Tower (1)
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Kevin Wilson (1)
James Wood (1)
Molly Young (1) (2; Q&A)
Vlado Žabot (1)

OTHER PIECES

"Comic Sans" (The Incongruous Quarterly)
"'No Fear' T-Shirts Based on Board Games" (McSweeney's)

"The Men in the Mirror"
"Moby-Dick; or, My Favourite Book"
"The Pop-Culture Annotated 'Lord's Prayer'"
"Tumblr Recommends"

Shelf Defense: 2666

In late 2011 I decided, in the hopes of keeping my library down to a manageable size, to comb through the unread sections in alphabetical order. It was a naïve, Sisyphean project, and it will take forever—so I’d better get moving. Shelf Defense is my occasional notebook about what I dig up, from Alphabet Juice to Point Omega.

* * * * *

ROBERTO BOLAÑO, 2666 (2004, TRANS. NATASHA WIMMER)

WHY DO I OWN THIS?: Because Chapters was (and still is!) remaindering paperbacks for a cool $10 while I was on parental leave last year.

THOUGHTS: For reasons of size, prestige, and overall heft, this deserves its own entry. Like The Savage Detectives before it, I am shocked and delighted to know that a book as wildly fractured as 2666 became a legitimate publishing phenomenon. It asks a lot—not in terms of readability, or sentence-by-sentence insight, but its cumulative weight. And it delivers. The centre of the book is Santa Teresa, where hundreds of women have been murdered throughout the ’90s and beyond. Orbiting the town, literally and thematically, are literary critics, boxers, computer salesmen, crooked police officers, and one reclusive author. My friend Cam correctly described Part 4 as 300 pages of The Wire, and that is not light or tossed-off praise. I was baffled time and again by how much Bolaño can wring out, how many fully formed lives and relationships, from such simple sentences. Then, whenever the whim strikes him, he turns on the juice. I’ll admit that right up to the last 80 or so pages, I had zero faith the different threads were going to come together. This was “admire,” not “love” territory. Boy was I wrong. The ending of 2666 is gorgeous, profound, and all kinds of satisfying. It also makes the best use of ice cream since How I Became a Nun (granted, not that long ago—but both are brilliant).

Now I’m probably not going to be able to stop thinking about it for the rest of the summer. So if anyone has any particularly strong investigative/analytic essays, please share. In the meantime, I’m off to order Antwerp.

KEEP OR SELL: Keep.

Jul 13, 2012
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